Showing posts with label look. Show all posts
Showing posts with label look. Show all posts

Wednesday, November 26, 2014

Collapsus What Energy Collapse Might Look Like

TreeHugger has a look at some peak oil doomerism converted to a transmedia experience - What Energy Collapse Might Look Like (Video).
When I interviewed my friend Tim Toben, he argued that one of the most important things we can do is to "tell the story about the transformation from a world powered by fossil fuels to a world powered by renewable energy -- in poetry, music, art, dance. Make it real for people who cant imagine their way out of the hole we find ourselves in." Ive just come across a fascinating multimedia (or transmedia, apparently) project that aims to do just that. The only trouble is, it makes for some pretty bleak viewing.

Collapsus, which was directed by Tommy Pallotta—the producer of Scanner Darkly and Waking Life—is described by its makers as "a new experience in transmedia storytelling". Combining traditional documentary footage with animation, mini-games and movie fragments, the audience is invited to participate by making decisions to try to avoid future blackouts and create a more livable future.

Based around the lives of ten young people around the Globe, the story is set in a world of falling energy supplies, economic disruption and civil unrest. I must admit, the medium is an interesting one—but a brief exploration suggests the message being presented is pretty bleak. I dont want to repeat my arguments about the futility of disasterbation, or the dangers of Mayan prophecy, but I cant help but wish for a slightly more empowering vision.

Of course with IEA insiders talking about inflated oil stats, and secret Government talks warning of imminent peak oil, there is undoubtedly plenty of evidence out there to suggest that a disasterous peak oil scenario is not out of the question. What worries me, however, is that as regular documentaries give way to these transmedia projects aimed at "the connected generation" (not sure what that term says about the rest of us), there is a danger that the choice of medium will inevitably warp the message—theres a reason why so many video games involve violent destruction.

Collapsus Walkthrough from SubmarineChannel on Vimeo.

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Thursday, September 11, 2014

A Look Back at the Space Shuttle

The New York Times has a look back at the now gone era of the space shuttle, with one segment looking at Bucky Fullers long awaited image of the earth from space - A Look Back at the Space Shuttle.
DP: What do you feel as you see the shuttle program winding down?

WG: I feel a little sadness, a little bit, because I know what we can continue to keep doing with this shuttle. It would be nice if that other program was coming along a little bit faster, and we could kind of roll right from this program to the next one.

But I think we can still use that same work force to re-tool, build solid plans and then kind of get ready to go move forward.

The Apollo astronauts said that, basically by going to the moon, we learned more about the earth than we did by staying here. And those first images from the surface of the moon, of the earthrise, seeing the earth as a sphere, with this thin atmosphere, really pushes how fragile our world is, and how small our world is.

By continuing to push the technology envelope, we really learn a lot more about what’s really happening here on the earth.

DP: The space shuttle that we use to get to the space station is now retired. So how are we gonna get back and forth now?

WG: We’re gonna use the Soyuz spacecraft, which we’ve been actually using for crew rotations for about the last two years. We’ve focused the shuttle on doing the assembly activities.

DP: We rent space on the Russian aircraft?

WG: Yep. Our crews are trained in Russia to operate and help them fly the spacecraft.

DP: And doesn’t that bother anyone? I mean, doesn’t that make us sort of second-class space citizens?

WG: I don’t really look at it that way. Because if you look at the space station, it’s really an international facility. So there are Russian modules. There’s also a Japanese module. The European space agency has another module. And the U.S. has a large research facility. We provide power to the Russian side—our solar rays generate power, and provide it to the Russian side. And they do propulsion for us on the space station.

So when you ask me about transportation, it’s not different than all these other dependencies I have already. We are truly an international team. It’s not competition like it was before, where we’re gonna beat the Russians, or we’re gonna beat the Chinese.

There’s a control center in Moscow, a control center in Houston, a control center in Japan, and also in Europe. And we all work together to keep this space station flying, and operating.

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